
Personal Note
Hi, I'm Matthew.
I'm currently applying for the Brisbane Bullets graphic design position, and this is a mock artwork I created specifically for the role.
Thanks for taking the time to look through my portfolio.

Matthew Larsen
Graphic Designer

social wall
A parallax field of campaign work, with five proof points pulled forward as you scroll.














































































FAST
Rapid-turnaround design delivered quickly without losing hierarchy or finish.
profile
Graphic designer focused on brand systems, typography, visual hierarchy, and campaign storytelling across digital, motion, and print. Delivers 15-35 social graphics and videos daily, supporting approximately 500,000 weekly reach across social channels and work later recognised with two international Reed Awards.
15-35 assets shipped daily
~500,000 weekly social reach
100,000+ unique variable-data print outputs
Creative on a two-time Reed Award-winning campaign
experience
Two featured campaigns, with the narrative on the left and the working media library on the right.
2025
CAP RATES NOW
Taxpayers' UnionCreative Media Specialist
20m truck-wrap centrepieceConference-day rally rolloutMotion, truck, social, and signage system
- Create a public-facing campaign system that could work on a truck wrap, rally stage, social cutdowns, and supporting collateral without losing punch.
- Built the identity, truck-wrap visuals, motion edits, and rollout assets so the same message stayed legible at distance and in-feed.
- Delivered a highly visible campaign package that helped turn the LGNZ conference moment into a recognisable CAP RATES NOW activation.
CAP RATES NOW was designed as a campaign identity that had to work under real-world pressure, not just as a polished social tile. The visuals needed to read on a moving truck, outside a conference venue, across rally footage, and in rapid social edits without the message thinning out.
The strongest part of the project was building one visual language that could hold up across those different surfaces. The truck, motion cutdowns, and supporting graphics all carried the same direct hierarchy and high-contrast tone, which made the campaign feel bigger than a single execution.
2025
Nicola's Fudge Campaign
Taxpayers' UnionCreative Media Specialist
Winner: Best International Campaign (National)Winner: Best International Online Video (National)Finalist: Best Public Affairs Campaign
- Translate a dense fiscal message into a campaign people would stop for, remember, and talk about.
- Built the satirical Nicola's Fudge brand across packaging, graphics, print collateral, and campaign presentation, then directed and finished the award-winning film solo using Premiere Pro, After Effects, and video-generation models.
- The campaign cut through nationally and was later recognised with two international Reed Awards, including Best International Online Video (National) for the video created in-house by Matthew Larsen.
Nicola's Fudge was built as a satirical campaign world rather than a one-off visual. The idea had to carry serious fiscal criticism while still feeling accessible, memorable, and shareable across physical packaging, digital collateral, and campaign storytelling.
What makes it strong portfolio material is the range of execution inside one system. The same concept had to feel credible on-pack, legible in campaign graphics, and distinctive enough to support the film and surrounding rollout.
The film itself was a solo piece of work by Matthew Larsen, directed and built using Premiere Pro, After Effects, and various video models. That end-to-end execution was later recognised with two Reed Awards overall and a win in Best International Online Video (National).
View live campaignselected work
Handpicked visual snapshots from campaign execution.
reel
A broader motion library with uniform cards and optional sound.
Rates Grab Reel
Sharp vertical cut built to stop the scroll fast and land the rates message immediately.
00:06Attack Campaign Ad
Landscape campaign hit with stronger narrative pressure, pacing, and contrast.
00:17Household Tax
A cleaner cost-of-living cut that compresses the message without losing punch.
00:12Kiwis Disagree
Tighter portrait framing and rhythm designed for stronger feed retention.
00:06Bureaucrats Paper Style
Paper-style social video using texture and movement to make policy feel more tactile.
00:22Labour on CGT
Typography-led explainer cut for clearer issue framing and stronger social readability.
00:28Shrinking Economy
Motion and paper texture used to carry a dense point without losing pace.
00:25Declan Vertical Cut
Vertical social edit balancing message clarity with energy and personality.
00:25tools & skills
The toolkit I reach for most.
ADOBE
InDesignIllustratorPhotoshopLightroomPremiere ProAfter EffectsAuditionMedia Encoder
DESIGN
TypographyLayout SystemsCampaign IdentityArt DirectionFigmaBrand Systems
PHOTO & 3D
PhotographyPhoto RetouchingImage SelectionCompositingBlenderVisual Mockups
AI & WORKFLOWS
Freepik AIMidjourneySeeDreamVeoGenerative AI Node WorkflowsGrokNano Banana Pro
VIDEO
StoryboardingEditingMotion DesignShort-form VideoCreative DirectionVideo Models
COMMUNICATION
Campaign MessagingStakeholder CommunicationBrief WritingCreative PresentationClient LiaisonRapid Response
PRODUCTION
Pre-pressColor ManagementPackagingLarge-format PrintFile PrepProduction Reliability
International Proof
Reed Awards
Best International Campaign (National)Best International Online Video (National)Finalist: Best Public Affairs Campaign
“The other win: Best International Online Video (National) puts the work of our 25-year-old in-house graphic designer, Matthew Larsen on par with what the best advertising and creative agencies can produce with seven or eight figure budgets.”
The Nicola's Fudge film was a solo-directed and solo-built piece by Matthew Larsen, created with Premiere Pro, After Effects, and video-generation models.
Nicola's Fudge proved out a complete campaign world: packaging, social, landing page, rapid cutdowns, and the online video that won internationally.
In the same note to the team, Jordan framed the wider campaign win alongside work recognised for Claudia Sheinbaum's Mexican Presidential Campaign, the Liberal Party of Canada 2021 Election Campaign, NATO's We Are NATO campaign, and Justin Trudeau's Bring Canada Back campaign.
Two international wins, built inside a lean in-house team, with the video category won by a piece conceived, directed, and produced by one designer.
contact
Email: [email protected]
LinkedIn: Open profile