
Matthew Larsen
Graphic Designer

social wall
Social media graphics from my work at the Taxpayers' Union.














































































Social graphics
Daily graphics for campaign updates and news.
noteworthy campaigns
Campaign design, video, and print work.
2025
CAP RATES NOW
Taxpayers' UnionSenior Graphic Designer
18-wheeler truck wrapParked outside the LGNZ conferenceTruck wrap, signage, social graphics, and video
- Create graphics for a rates-cap campaign across print, social media, and video.
- I designed the campaign identity, truck wrap, signage, social graphics, and video edits.
- The truck wrap was used outside the LGNZ conference, alongside the campaign's signage, social posts, and videos.
I designed the CAP RATES NOW identity and adapted it for a truck wrap, rally signage, social posts, and video. The wrap was applied to an 18-wheeler parked outside the Local Government New Zealand conference.
The layouts used large type and contrasting colours so the message was readable at a distance and in event footage.
2025
Nicola's Fudge Campaign
Taxpayers' UnionSenior Graphic Designer
Winner: Best International Campaign (National)Winner: Best International Online Video (National)Finalist: Best Public Affairs Campaign
- Design a satirical campaign about government fiscal policy.
- I designed the packaging, social graphics, and print material, and directed and edited the film using Premiere Pro, After Effects, and AI video tools.
- The campaign won two Reed Awards: Best International Campaign (National) and Best International Online Video (National).
Nicola's Fudge used a fictional confectionery brand to comment on government fiscal policy. I designed the packaging, graphics, and print material, keeping the same look across the campaign.
I also developed, directed, and edited the film myself, using Premiere Pro, After Effects, and AI video tools. The campaign won two international Reed Awards.
View live campaignCampaign videos
We Can’t Afford Labour
Video editing, motion graphics, and thumbnails
I made videos and thumbnails for the We Can’t Afford Labour campaign. The series combines editing and motion graphics in Premiere Pro and After Effects with AI tools used on some videos.
Premiere ProAfter EffectsAI tools
View campaign websiteWhat the media said
Broadcast reactions to the capital gains tax ad.
Newstalk ZB · Heather du Plessis-Allan Drive · 16 October 2026
Heather du Plessis-Allan
“Frankly, I think it’s brilliant. I think it’s a brilliant ad.”
Heather du Plessis-Allan discusses the ad’s humour, use of AI, and effectiveness as a campaign video.
Read transcript (02:35)
Transcript of this clip. [unclear] marks indistinct speech.
0:00 Heather du Plessis-Allan.
0:02 So the question today is whether the Taxpayers’ Union have gone too far with their AI advert about Chris Hipkins.
0:07 Now, if you haven't seen this ad yet, let me explain it to you.
0:11 The video starts, a short video, but it starts with a man, a ginger-haired man in a suit and a red tie,
0:18 running full tilt down a suburban street.
0:21 He kicks in a door. Inside the house is a family having dinner.
0:24 He runs up to them and he takes all their wallets off the table and then runs off.
0:27 And then he kicks in the door of another house. A woman is watching telly in there.
0:31 He runs up, takes her wallet, bolts it out the door.
0:33 Then he takes a wallet at a reno site and then he takes all the money lying on a table at a barbecue.
0:38 And then he runs out back onto the street to a clapped-out red Toyota, gets in, looks in the rearview mirror and it's Chippy.
0:46 And then the ad says, We Can't Afford Labour.
0:48 Now, as you can imagine, commentators on the left are absolutely losing their minds over this ad.
0:54 Hipkins has called it nasty and desperate and he says it's showing how out of touch the rich boys who run the Taxpayers’ Union are.
1:01 Frankly, I think it's brilliant. I think it's a brilliant ad.
1:05 I saw this ad weeks ago, funnily enough, before the Taxpayers’ Union released it.
1:10 I thought it was very, very funny the first time I saw it.
1:12 It doesn't cross ethical lines at all.
1:15 No one will think it really is Hipkins.
1:17 Not just because the AI actor doesn't actually look like Hipkins, but because the behaviour is just so bloody outrageous.
1:23 There's no way this is actually Chris Hipkins doing it.
1:26 You'd have to be an idiot to think that this is real.
1:29 The use of AI also is perfectly acceptable.
1:33 And in fact, political parties would be idiots not to use something this cheap and this effective.
1:38 And that, I think, is the key thing here.
1:40 This is the most effective attack ad on Labour yet.
1:43 This is a thousand times more effective than every single one of the National MPs going “nine new taxes” on some kind of 1995 strategy in the hope that someone is going to take their false claim seriously.
1:57 This ad takes an idea that Chippy is after your money, which you know is true, and then exaggerates it to the point of being funny.
2:06 But because it's funny and because it's visual, it sticks.
2:10 Now, you might not like the Taxpayers’ Union.
2:12 And you might not like their politics.
2:14 You might not like their strategies.
2:16 But you have got to admit that they are some of the best in the business at campaigning and making a political point with a little bit of humour.
2:23 My advice to Chippy would be stop talking about the ad, mate, because you are only drawing attention to something that thousands of people are now going to want to see and they're going to remember because it's quite funny.
Newstalk ZB · Heather du Plessis-Allan Drive · 16 October 2026
Heather du Plessis-Allan and Barry Soper
“It was quite honest and upfront, but it was brilliant.”
A studio discussion about the ad’s humour, AI mistakes, production cost, and whether it crosses an ethical line.
Read transcript (01:28)
Transcript of this clip. [unclear] marks indistinct speech.
0:00 Did you find that AI ad of Chippy funny? That was hilarious, though, wasn't it? Wasn't that brilliant?
0:04 I found it, yes, fascinating. And if people looked at the ad at the start, they will have seen that it was an AI ad.
0:14 It was fictional. That's what it said. It was quite honest and upfront, but it was brilliant.
0:21 And it cost, apparently, 200 bucks to make.
0:26 Amazing, eh?
0:27 You know, and they say that if you were making it from scratch, it would cost well into six figures because you'd have to hire actors and what have you.
0:37 The really, I guess, determining feature of whether it was [unclear] Chippy or not, was the rear vision mirror and the fact that he climbed into the passenger door of the car and ended up driving away in the car.
0:54 Oh, yeah, there is no, I mean, there were AI mistakes all over the show.
0:58 When I watched it a second time, I realised it, like, he's running in the day, then he bursts into the house and looks like they're having dinner at night time.
1:05 Yes, exactly.
1:05 And then he's out again and it's daytime and then he runs to the wrong side of the vehicle because it's an American video.
1:10 And then drives off.
1:11 Yeah, yeah, yeah.
1:13 And it drives off on the right side of the vehicle for us.
1:16 But when he looks in the rear vision mirror...
1:18 Ethically, any problems?
1:19 It's not him.
1:20 It's a youthful Chippy.
1:23 No, I don't see any great problems.
1:25 You can't take something like that seriously.
1:27 Neither.
1:27 We're going to...
Herald NOW · NZ Herald
Herald NOW panel discussion
The panel watches the ad and debates whether it reads as satire or as an accusation of theft.
Clip shared on Facebook by the New Zealand Taxpayers’ Union.
Short excerpt
“It’s called satire. It’s called satire. I think people can see that.”
Three News / Stuff
Critical coverage · Wider election report
New polling reveals which Chris voters trust the most
The ad appears in a wider election report about trust in Chris Hipkins and Christopher Luxon. This coverage takes a more critical view of the ad.
Campaign thumbnails
profile
I design for social media, video, and print. At the Taxpayers' Union, I produce 15-35 graphics and videos a day for channels receiving around 1 million weekly views. My work on Nicola's Fudge was recognised with two Reed Awards.
15-35 graphics and videos delivered daily
~1 million weekly views
100,000+ unique variable-data print outputs
Campaign work recognised with two Reed Awards
selected work
Campaign graphics and social media work.
reel
Campaign videos, ads, and explainers.
Rates Grab Reel
A vertical ad about local rates increases.
00:06Attack Campaign Ad
A landscape campaign ad.
00:17Household Tax
A short video about household costs.
00:12Kiwis Disagree
A vertical video for social media.
00:06Bureaucrats Paper Style
A policy explainer using paper textures.
00:22Labour on CGT
A video about Labour's position on capital gains tax.
00:28Shrinking Economy
An animated explainer about the economy.
00:25Declan Vertical Cut
A vertical edit featuring Declan.
00:25InDesign / Blender / Print
print & motion
Publications designed in InDesign, with 3D animations made in Blender.
My print work includes page layout, paragraph styles, image preparation, and colour management for CMYK and spot-colour printing.
01 / Publication & 3D motion
Taxpayer Manifesto
A 16-page publication designed in InDesign, using a blue palette, Franchise headlines, Proxima Nova body text, and Klinic Slab accents.
I used the finished artwork to create a 3D animation in Blender.
Download PDF 16 pages
02 / Publication & 3D motion
The Little Red Book
A 32-page publication designed in InDesign, using red, gold, and black with League Gothic headings, Neue Haas Grotesk, and Proxima Nova.
I created the accompanying Blender animation using the publication’s cover artwork.
Download PDF 32 pages
tools & skills
Software and skills I use.
ADOBE
InDesignIllustratorPhotoshopLightroomPremiere ProAfter EffectsAuditionMedia Encoder
DESIGN
TypographyLayout SystemsCampaign IdentityArt DirectionFigmaBrand Systems
PHOTO & 3D
PhotographyPhoto RetouchingImage SelectionCompositingBlenderVisual Mockups
AI & WORKFLOWS
Freepik AIMidjourneySeeDreamVeoGenerative AI Node WorkflowsGrokNano Banana Pro
VIDEO
StoryboardingEditingMotion DesignShort-form VideoCreative DirectionVideo Models
COMMUNICATION
Campaign MessagingStakeholder CommunicationBrief WritingCreative PresentationClient LiaisonRapid Response
PRODUCTION
Pre-pressColor ManagementPackagingLarge-format PrintFile PrepProduction Reliability
Awards
Reed Awards
Best International Campaign (National)Best International Online Video (National)Finalist: Best Public Affairs Campaign
Nicola's Fudge won two international Reed Awards, for the campaign and its video. I developed, directed, and edited the film using Premiere Pro, After Effects, and AI video tools.
My design work for the campaign included packaging, social graphics, and print material.
Awarded to Nicola's Fudge at the Reed Awards.
contact
Email: [email protected]